DASH Archives - May 2018

The schedule is now available for Visualising Spatial Injustice and
Exploitation, June 8th, University of Kent. Featuring keynotes by Miranda
Pennell and Alberto Toscano.

Please register for free here:
https://www.eventbrite.com/e/visualising-spatial-injustice-a
nd-exploitation-tickets-44551396426

*10.30-11.00 - Welcome*

*11.00-12.00 - Keynote 1: Miranda Pennell*

*12.00 - 12.15 - Tea/coffee break*

*12.15-13.45 - Panel 1*

Chair: Patrick Brian Smith

Patrick Brodie – Financialized Spaces, Logistical Production: Transnational
Media and Spatial Development in Post-Crisis Ireland

Fiona Woods – Social Imaginary as Urban Commons: A Performative Lecture

James Mulvey – The Silence of Transgressive Landscapes

*13.45 – 14.30 – Lunch*

*14.30 – 16.00 – Panel 2*

Chair: Stephen Connolly

James Harvey - Montage as Assemblage/Assemblage as Montage: John Akomfrah’s
Purple

Stephen Connolly - Visualising Spatial Inequality in Detroit

Noemie Oxley - Amateur videos shot by American soldiers in Iraq: exploring
the soldier’s resistances to media and military visualizations of the war
on the modern mediated, virtualized counterinsurgency battlefield

*16.00 - 16.15 - Tea/coffee break*

*16.15 - 17.45 - Panel 3*

Chair: Matthew Gibson

Laura Rascaroli - Filming the West: Folding and Unfolding the Great Wall

Melissa Tandiwe Myambo - Cultural Time Zones of Global Hipsterification:
Brooklyn, Delhi, Jo’burg

Débora Póvoa - We Love the Favela: Favela Consumption Through Telenovela
Tourism in Brazil

*17.45 - 18.00 - Tea/coffee break*

*18.00 - 18.30*

Razan AlSalah - your father was born 100 years old, and so was the Nakba
(screening and Q&A)

*18.30 - 19.30 - Keynote 2: Alberto Toscano*

-- 

Patrick Brian Smith

PhD Student and Part-time Lecturer
Mel Hoppenheim School of Cinema
Concordia University, Montreal, Quebec

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====
Paul Brown
http://www.paul-brown.com  == http://www.brown-and-son.com 
UK Mobile +44 (0)794 104 8228
Skype paul-g-brown
====
Honorary Visiting Professor - Sussex University
http://www.cogs.susx.ac.uk/ccnr/research/creativity.html 
====

Dear Colleagues,

As a pioneer in the field of Media Arts research, the ARCHIVE OF
DIGITAL ART (ADA) documents the rapidly evolving field of digital art
forms for almost two decades now. This complex, research-oriented
overview of works at the intersection of art, science, and technology
has been developed in cooperation with international media artists,
researchers and institutions, as a collective project.

Watch our new video on the transdisciplinary research in Digital Art,
based on ADA's interconnected data infrastructure.
https://vimeo.com/265171805 

Today’s digital artworks are processual, ephemeral, interactive,
multimedia-based and fundamentally context dependent. Thus requiring a
modified, we call it an ‘expanded concept of documentation‘, ascribing
high importance to artistic inventions like innovative interfaces,
displays or software. ADA ensures high academic standards and represents
artist and scholar contributors with at least five published articles
and/or exhibitions from relevant fields. The ADA community contributes
and encodes their user-generated visual and textual documents in this
open access research database.

A collaborative and social living archive, the mission of the Archive
of Digital Art (ADA) is to document the ever-changing world of Media
Artalso called Digital Art or New Media Artand its related disciplines
from the mid-20th century to today. www.digitalartarchive.at 


The ADA Team
Department for Image Science
Digital Humanities Lab
Danube University Krems