DASH Archives - April 2013
Peter Zinovieff 80th Birthday Concert & Symposium on Electronic and Computer Music, 11 May 2013, Cambridge UK
From: Dr Tom Hall <reg@LUDIONS.COM>
Date: Mon, 22 Apr 2013 21:21:06 +0100
Hello All, and with apologies for cross-posting, please forward to anyone who may be interested. Regards, Tom. ------------------- Peter Zinovieff 80th Birthday Concert & Symposium on Electronic and Computer Music 11 May 2013, Cambridge UK Full list of speakers is available, all abstracts online, and registration is open Symposium registration includes a ticket to the Peter Zinovieff 80th Birthday Concert. Tickets for the concert are also available separately for those not attending the symposium. Concert and symposium website: www.anglia.ac.uk/emsar Please note that in order to qualify for the symposium lunch buffet, registration must be completed at the latest by close of Tuesday 7 May, 2013. One Day Symposium on Electronic and Computer Music, EMSAR 2013 Including an evening concert celebrating the 80th birthday of electronic music pioneer Dr Peter Zinovieff Saturday 11 May 2013 Confirmed invited speakers include: Prof Monty Adkins (University of Huddersfield), Dr Till Bovermann (Media Lab Helsinki), Prof Simon Emmerson (De Montfort University), Dr Mick Grierson (Goldsmiths), Prof Peter Manning (Durham University), Dr James Mooney (University of Leeds) and Dr Peter Zinovieff. The symposium concludes with an evening concert celebrating the 80th birthday of electronic music pioneer Dr Peter Zinovieff, co-founder in the late 1960s of Electronic Music Studios, London, and collaborator with such composers as Harrison Birtwistle and Hans Werne Henze. Zinovieff is now enjoying a blossoming of compositional activity and this concert will include examples of both his early work, as well as his most recent work in computer music. Papers are around the following themes: The materiality of early electronic, tape and computer music Restoration and archiving of music involving technology Modes of representation of electronic and computer music (objects, scores, code…) Constraints, affordances and the idiomatic in electronic, tape and computer music The DIY aesthetic in electronic music hardware of the 20th century Hardware and virtual hardware for electronic music (re)creation Collaborations between composers and music technologists in the 20th Century Electronic Music Studios (EMS) hardware for 21st Century electronic music performance Spatialisation techniques in early tape, electronic and computer music Music technology hardware as a bridge between modernist and popular music For any further information, please contact Dr Tom Hall: Email: tom.hall@anglia.ac.uk Anglia Ruskin University Department of Music and Performing Arts, Anglia Ruskin University East Road Cambridge CB1 1PT UK www.anglia.ac.uk/mpa www.anglia.ac.uk/code www.anglia.ac.uk/dpl Dr Tom Hall Senior Lecturer, Creative Music Technology Helmore 244 Department of Music and Performing Arts Anglia Ruskin University East Road, Cambridge CB1 1PT Tel: 0845 196 2065 (x2065) Intl: +44 1223 363271, ext 2065 www.anglia.ac.uk/tomhall www.ludions.com