DASH Archives - October 2009

Apologies for cross-posting. List members may be interested in the following study-day:

Fear & Learning: Approaches to the Born-Digital Challenge in Art & Design Archives

ARLIS UK & Ireland Art Archives Committee
This study day is aimed at art and design practitioners, archivists and other information professionals, museum professionals and students interested in exploring  the opportunities and challenges associated with born-digital objects. The day will look at the creation, management, development, preservation of and access to these objects. It will include specific case studies, address copyright issues and look at the challenge of dealing with born-digital archives in the context of more traditional records. Different areas of art and design will be considered: architectural plans, illustration, digital sound art and digital art.

Venue: 	University College London, Room Eng 1.02 Malet Place, Gower 		Street, London, WC1E 6BT

Date:		Wednesday 11th November 2009, 10.30am-4.30pm 

Cost, including lunch: �85 ARLIS members; �105 non-ARLIS members; �53 students\unwaged\retired
	
Programme:

10.30-10.45	Registration/Tea & Coffee 
10.45-10.50	Introduction and housekeeping
10.50-11.15	Doug Dodds (Victoria & Albert Museum, Word & Image Department)
11.15-11.40	Andrew Gray (JISC-funded KULTUR project which is creating a 		model of an institutional digital repository for use in the 		creative and applied arts.)
11.40-12.00	Coffee break
12.00-12.30	Dr Salom� Voegelin (Sound Artist & Senior Lecturer Sound Arts & 		Design, London College of Communication)
12.30-13.00	Panel discussion and questions
13.00-14.00	Lunch
14.00-14.30	Kurt Helfrich (Royal Institute of British Architects, Drawings & 		Archives Collection)
14.23-15.00	Naomi Korn (Copyright Consultant)
15:00-15.15	Break
15.15-15.45	Elinor Robinson (Project Archivist, futureArch project (BEAM) 		Bodleian Library, Seven Stories Project)
15.45-16.20	Panel discussion & questions
16.20-16.30	Summary

Booking: 

Please complete the slip below and return it, (by post or email), to: 

Jessica Collins,
Archivist
Clothworkers' Company
Clothworkers' Hall
Dunster Court
Mincing Lane
London EC3R 7AH

E: jessicacollins@clothworkers.co.uk | T: (+44) 020 7623 7041

NB: For bookings cancelled after 28th October a charge of 10% of the total fee will be levied. For bookings cancelled after 4th November the full fee may be charged.

I would like to attend the ARLIS Fear and Learning: Approaches to the Born-Digital Challenge in Art & Design Archives study day on 11th November 2009

Please note: the details given below will be used in the compilation of a delegates list; if you do not wish your details to be included please tick this box [  ] 

Name: ...............................................................................................................

Organisation: ......................................................................................................

Address: ............................................................................................................

........................................................................................................................

Telephone: ...........................Fax: ...............................E-mail: ..............................

I enclose my cheque made payable to ARLIS/UK & Ireland for � ...............
OR 
Please send invoice to : ..........................................................................................

Please tick box if you require vegetarian lunch [ ]. Please advise if you have any special dietary requirements

All bookings will be acknowledged by email or telephone.

-----


Adam Waterton
Head of Library Services
Royal Academy of Arts
Burlington House
Piccadilly
London
W1J OBD
 
T: 020 7300 5740
E: adam.waterton@royalacademy.org.uk
W: www.racollection.org.uk




The Royal Academy of Arts is a registered charity under Registered Charity Number 1125383 and is also registered as a company limited by guarantee in England and Wales under Company Number 6298947. Registered office: Burlington House, Piccadilly, London, W1J 0BD.

   http://digitalarchive.stationrose.net/start.html

The Station Rose Database (1988-2008) is in public-beta now.

Station Rose was the  first public media art space (1988-91) in Vienna,
before moving to Frankfurt & Cyberspace in 1991. Since then the  
headquarter is in Frankfurt.

On behalf of "20 Digital Years" we started to develop & program the  
Database in 2008,
with a special interface.

Our Digital Archive - saved on harddrives, discettes, photos, CDs,  
DVDs, U-matic video, DVs, VHS etc. - has become really huge after 20  
years.

Over hundred of (mostly unreleased) audio tracks, TV features, stills,  
videos and texts from 1988 - 2008 have been structured.
The searchable database is by no means complete, but already gives an  
overview over Station Rose´s activities of the last 20 years.  
Programmed with open source Typo 3.
Programming: Christian Bieber/dkd, Elisa Rose, Gary Danner, Jens Fischer

The Digital Archive was shown for the 1st time during our exhibit of  
the media-sculpture "LogInCabin" 2008/09 at MAK/Museum of Applied &  
Contemporary Art, Vienna.

Since then the database gets filled -

over time.

It is in progress !

best,

Elisa Rose

______________________________

S T A T I O N   R O S E
                                         20 Digital Years_plus
______________________________________________________
  digital_audio-visual art      http://www.stationrose.com
Elisa Rose & Gary Danner


====
Paul Brown - based in OZ October 09 - January 2010
mailto:paul@paul-brown.com == http://www.paul-brown.com
UK Mobile +44 (0)794 104 8228 == USA fax +1 309 216 9900
Skype paul-g-brown
====
Visiting Professor - Sussex University
http://www.cogs.susx.ac.uk/ccnr/research/creativity.html
====

BOOKING REMINDER

We still have some places available for the 2009 CHArt conference so don't forget to  register soon!


CHArt TWENTY-FIFTH ANNUAL CONFERENCE

OBJECT AND IDENTITY IN A DIGITAL AGE

Thursday 12 - Friday 13 November 2009

Birkbeck, University of London, Clore Lecture Theatre, Clore Management Centre, Torrington Square, London, WC1 7HX.

THEME

This year's CHArt conference engages with the idea of object and identity in relation to art practice, production, consumption, representation and display. The conference will explore new notions of the identity of the artist, including those involving collaboration and anonymity; new conceptions and ontologies of the art object, as processual, virtual, or hybrid; new means of consumption and reception, whether in galleries and museums, in public spaces, or over networks of broadcast and narrowcast; and the challenges these transformations bring to the display of art and to its curation and access.

Places are limited so early booking is recommended.

The booking form is available online on www.chart.ac.uk.  Conference fees (pounds sterling) - include coffee/tea breaks and lunch.


PROGRAMME

THURSDAY 12 NOVEMBER

KEYNOTE - Frieder Nake, University of Bremen, Germany.
Only Artist. Only Engineer. Only Critic. Transcending Disciplines in Early Digital Art.


SESSION 1

Patterns of Movement in Live Languages.
Alex McLean, Geraint Wiggins, Goldsmiths, University of London.

The Software in Art.
Ernest Edmonds, University of Technology Sydney.

Interfaces of Performance.
Maria Chatzichristodoulou (Maria X), University of Hull; Janis Jefferies, Goldsmiths, University of London; Rachel Zerihan, Queen Mary University of London.

The Screaming Head: Making the Most of the Random Attributes of Sensors in the Construction of a Virtual Performer.
Mary Oliver, University of Salford.


SESSION 2

Making Connections: Children, Objects, Meanings and Museums.
Helena Tomlin and Irit Narkiss, The Manchester Museum.

Art and Orphan Works:  Ownership and Discovery.
Annette Ward, University of Dundee; Annsley Merelle Ward, Gallant Macmillan LLP; James Stevenson, Victoria and Albert Museum; Stephen McKenna, Ian Ricketts, University of Dundee.


Emergent questions: Digitisation, Cultural Heritage and the Social Agency of Images.
Devorah Romanek, The British Museum.

Cut and Paste Art History: Image Manipulation as Spurious Art Historical Proof of the Face of Shakespeare.
Marcus Risdell, Garrick Club.


SESSION 3

Re-Materialisation of the Art Object.
Dew Harrison, University of Wolverhampton.

Puppeteers, Performers or Avatars: A Perceptual Difference in Telematic Space.
Paul Sermon, University of Salford.

The Work of Art in the Age of Virtual Production.
Andrew Sempere, IBM Watson Research.

The Creative Use of Online Social Networking Sites to Increase Public Engagement and Participation in the Professional Arts Through Collaborative Involvement in Creative Practice.
Sophy Smith, De Montfort University, Leicester.


(The CHArt Annual General Meeting will take place at the end of day 1)


FRIDAY 13 NOVEMBER


SESSION 4

The Role of Art in Computer Game Design.
Colin B. Price, June S. Moore, University of Worcester.

The Artist as Designer, the Artist as User: Developing a Collaborative Framework for Artistic Engagement in ICT Design.
Frederik Lesage, London School of Economics and Political Science.

Big Bird is Watching You! Art, Activism and Technology in the Public Arena.
Denitsa Petrova, Edinburgh College of Art.

Are You Clean? Parasitic Art and Privacy.
Jeremy Pilcher, Lancaster University.


SESSION 5

Art and Software Entropy.
Wayne Clements, Chelsea College of Art and Design.

Databasing the Arts:The Enactment of Art Objects in Networked Infrastructures.
Sarah de Rijcke, Royal Netherlands Academy of Arts and Sciences.

ArtLog: An Electronic Archive of Artistic Process
Yvonne Desmond, Dublin Institute of Technology, Ireland.

Try to Get that Kindle Signed: The Comic Book as Cultural Interface
Ernesto Priego, University College London.


SESSION 6

The Case of Liberation Aesthetics Versus Digital Identit(ies).
Timothy Allen Jackson, Savannah College of Art and Design, USA.

Performing Information.
Christoph Kl�tsch, Savannah College of Art and Design, USA.

Putting Lipstick on the Golem?
John Lifton, Lifton Zoline International LLC and Institut Slavonice.

Exhibition Design as High-Level Programming
Gabriel Menotti Gonring, Goldsmiths, University of London.


BOOKING FEE

CHArt Member: TWO DAYS �120 
CHArt Member: ONE DAY �80 
Non-member: TWO DAYS �160 
Non-member: ONE DAY �110 
CHArt Student Member: TWO DAYS �65
CHArt Student Member: ONE DAY �45 
Student Non-member: TWO DAYS �85 
Student Non-member: ONE DAY �55 

..........................................
Hazel Gardiner
Centre for Computing in the Humanities
King's College London
26-29 Drury Lane
London
WC2 5RL

hazel.gardiner@kcl.ac.uk

+44 020 7848 2013

Re:live09 Third World Conference on the Histories of Media Art, Science
and Technology.
(Partner: Department for Image Science, Danube University Krems)

MELBOURNE 26-29 November 2009

The Media Art History national and international conference committees
would like to invite you to attend the Re:live media art history
conference.
Banff 2005 :: Berlin 2007 :: Melbourne 2009

Over three stimulating days, historians, curators, media artists,
creative arts practitioners and theorists at the forefront of their
practice will explore the latest research and theories

CONFERENCE SESSIONS on the HISTORIES OF::
:: art-science-technology :: biology :: the environment :: liveness ::
the life of machines :: innovation ::


RELIVE PROGRAM		

Thurs, Nov. 26 
Keynote: Lisa GITELMAN

Fri, Nov 27
:: Session 1: Paul THOMAS (Chair), Su BAKER (Introduction from VCA),
STELARC  (Prosthetic Head), Lucas IHLEIN (Fluxorchestra), 
:: Session 2: Ross HARLEY (Chair), Stephen JONES (Bush Video), Eva
KEKOU (The City as a projection space), Francesca FRANCO (The first
computer art show at the 1970 Venice Biennale. An experiment or product
of the bourgeois culture?), 
:: Session 3: Kim MACHAN (Chair), Larissa HJORTH (Cartographies of the
mobile: the personal as political), Chris CHESTER (Converging
technologies of spatial navigation in computer games and portable
digital devices), Sam HINTON (Constructing the First Person Shooter),
Ingrid RICHARDSON (Playing Outside the Magic Circle: the Hybrid
Corporealities of Mobile Gaming), 
:: Session 4: Leon MARVELL (Chair), Susan BALLARD (Erewhon: framing
media utopia in the antipodes), Darren TOFTS (Writing media art into
(and out of) history), Gabriel Menotti GONRING (Executable Cinema:
Demos, Screensavers and Videogames as Audiovisual Formats)
:: Session 5: Paul THOMAS (Chair), Cat HOPE (Earth Pulse: vibrational
data as artistic inspiration), Joanna WALEWSKA (Relationship of art and
technology: Edward Ihnatowicz's philosophical investigation on the
problem of perception), Monika GORSKA-OLESINKA (Polish digital poetry -
lack of "prehistoric" artifacts or missing narrative?), 
:: Session 6: Ross HARLEY (Chair),  Tapio MÄKELÄ (Satellite
imaginaries: performing newness and sublime in geospatial media arts),
Mathias FUCHS (postvinyl), 
:: Session 7: Melinda RACKHAM (Chair), Andres BURBANO (Between punched
film and the first computers, the work of Konrad ZUSE), Marianne SCHMIDT
(Virtureal), Daniela Alina PLEWE (Transactional Art as a Form of
Interactive Art), 
:: Session 8: Darren TOFTS (Chair), McKenzie WARK (The Life and Times
of Nettime.org), Mark GUGLIELMETTI (A-Life: the creation and development
of new modes of realism), Mike PHILLIPS (A Lost SuperHighway: Tales from
a Notworked Dis-Locative Media History).
:: Session 9: Anna MUNSTER (Chair), Ionat ZURR (How does zoë transform
bio into media?), Natasha VITA-MORE (Interconnected Significance: Human
Enhancement and Radical Life Extension), Jens HAUSER (Still, Living:
Staging the Ephemeral between Nature Morte and Art Involving
Biotechnology)
:: Session 10: Lisa GYE (Chair), Leon MARVELL & Rudy RUCKER (Lifebox
Immortality & How We Got There), Gebhard SENGMÜLLER (VSSTV - Rediscovery
and Re-Interpretation of a Televisionary Parallel Universe), Manosh
CHOWDHURY (Perfoming the Universe: The Elephant Clock as a Discoursive
Apparatus)

Keynote: Douglas KHAN

Sat Nov 28
:: Session 1: Oliver GRAU (Chair), Paul SERMON (Telematic Practice and
Research Discourses), Katja KWASTEK (*Your number is 96 - please be
patient* - Modes of Liveness and Presence investigated through the
lens of interactive artworks), Mike LEGETT  (Early Video Art as Private
Performance)
:: Session 2: Alessio CAVALLARO (Chair), Hector RODRIGUEZ  (The Black
Box), Brogan BUNT (Pre-Socratic Media Theory), Jung-Yeon MA (A Short
History of Media Art Events in Japan and Korea since late 1990s: Japan
Media Arts Festival and Seoul International Media Art Biennale)
:: Session 3:  Eleanor GATES-STUART (Chair), Nina WENHART (ARS
ELECTRONICA re:shaping a city's cultural identity), Thomas MICAL 
(Blurring Media-Architecture in 2009), Stefano RAIMONDI (Nanoart: First
Steps Beyond the Columns of Hercules)
:: Session 4: Ted COLLESS (Chair), Danielle WILDE (A New Performativity
: Wearables and Body-Devices), Michael Century (Telematic
Improvisation), Laura BELOFF (The Hybronaut and Other Unexpected
Approaches to Wearable Technology)
:: Session 5: Larissa HJORTH (Chair), Andrea GLEINIGER (*Architekturen
des Augenblicks* - a phenomenological view on the medialization of urban
space), Cat HOPE (Earth Pulse: vibrational data as artistic
inspiration.), Denisa KERA (Apocalypse and Media Art)
:: Session 6: Darren TOFTS (Chair), Allison DE FREN (Disarticulating
the Artificial Woman), Audrey SAMSON (Haunted profiles; social
networking sites and the crisis of death.), Margaret SEYMOUR (Cyborgs
and robots: imitation or provocation?)
:: Session 7: Melinda RACKHAM (Chair), Lucas IHLEIN (Re-Enacting
Expanded Cinema: Three Case Studies), Ryszard W. KLUSZCZYNSKI (Viewer as
Performer), Marcin SKLADANEK (Metadesign and Media Art)
:: Session 8: Daniel PALMER (Chair), NIgel Llwyd William HELYER (The
Sonic Commons; and the privatisation of the aural vis-à-vis), Chris
SALTER (The Stage as Organism: Liveness, Dynamics and Expression in
Early Twentieth Century Scenography), Slavko KACUNKO (Live Media Art and
Japan*s Role: A historical and contemporary sideview)
:: Session 9: Paul BROWN (Chair), Ken FRIEDMAN (Intermedia, Multimedia,
and Media: Recovering a History), Zita JOYCE (Networked communities in
New Zealand media arts), Ernest EDMONDS (The Art of Conversation)
:: Session 10: Leon MARVELL (Chair), Lizzie MULLER (An indeterminate
archive for David Rokeby*s *The Giver of Names*), Robrecht
VANDERBEEKEN (Relive the Virtual: An Analysis of Unplugged
Performance-installations), Robert SWEENY (Open (Source) Classroom)
:: Session 11: Kim MACHAN (Chair), Suzette WORDEN (Art-Science
Connections for the visualisation of minerals: historical precedents for
media arts), Morten SONDERGAARD (Beyond the Point One Zero World),
Anne-Marie  DUGUET (Natural phenomena actualized through technology). 
:: Session 12: Sean CUBITT (Chair), Jon CATES (RE:COPYing-IT-RIGHT
AGAIN), Edward SHANKEN (Reprogramming Systems Aesthetics: A Strategic
Historiography), Kathy Rae HUFFMAN (EXCHANGE and EVOLUTION:  World Wide
Video / Long Beach)	 
 	 	 
Keynote: Zhang GA	 
 	 	 
Sun Nov 29	 	 
:: Session 1: Paul THOMAS (Chair), Panel: Ross HARLEY, John CONOMO,
Anne FINNEGAN, Danni ZUVELLA (Australia Video Art Histories: A media
arts archeology for the future)
:: Session 2: Lisa GYE (Chair), Mike STUBBS (Abandon Normal Devices -
they dont seem to work), Lissa MITCHELL (Negotiating the future - a new
media collection in a public art museum), Rosana MONTEIRO
(Reconfiguration of knowledges. Medical images between art, science and
technology.)
:: Session 3: Eleanor GATES-STUART, Ian CLOTHIER (Animating the
Inanimate: Haiku robots, multiplicities of time and intercultural
context), Caroline LANGILL (The Living Effect: Autonomous Behaviour in
Early Electronic Media Art), Sarah KENDERDINE (The Relocation of
Theatre: Making UNMAKEABLELOVE)
:: Session 4: Helen STUCKEY (Chair), Roger MALINA (The History Of
Intimate Science: Artists beyond the senses), Elena Giulia ROSSI
(Posthuman Bodies in New Media Art), Allison DE FREN (Disarticulating
the Artificial Female)
:: Session 5: Ted COLLESS (Chair), Martin CONSTABLE and Adele TAN
(Visual Digitality: Towards Another Understanding), Dimitris CHARITOS
(Locative media art practices: locating meaning and narrative in hybrid
spaces), Anders CARLSSON (The Forgotten Pioneers of Creative Hacking and
Social Networking - Introducing the Demoscene)
:: Session 6: Alessio CAVALLARO (Chair), Michael CENTURY (Telematic
Improvisation), Katja KWASTEK (Modes of Liveness and Presence in
interactive processes), Lawrence BIRD (Re-animating the technical body
in the Metropolis tales: Lang, Tezuka, Rintaro),
:: Session 7: Sean CUBITT (Chair), Nina WENHART (ARS ELECTRONICA -
re:shaping a city's cultural identity), Darko FRITZ (Histories of live
meetings - case study: five conferences on computer-generated art and
related theories in Zagreb, 1968 - 1978), Ana PERAICA (Overcoming media
arts)
:: Session 8: Alessio CAVALLARO (Chair), Virginia PITTS (A dance with
time: the media art of Shona McCullogh, Pia  EDNIE-BROWN (Technologies
of Vitality and a Changing Innovation Climate.)

:: Plenary Session: Paul THOMAS (Chair)
	 	 

SEAN CUBITT and PAUL THOMAS :: Co Chairs Re:live09 :: 
Third International Conference on the Histories of Media Art, Science
and Technology

Conference ::
The main conference will be held at Faculty of VCA and Music,
University of Melbourne, the selected Keynotes (as listed above) will be
held in the evenings at the BMW Edge at Federation Square.

National Committee ::
Oron CATTS, Edward COLLESS, Eleanor GATES-STUART, Lisa GYE, Ross
Rudesch HARLEY, Larissa HJORTH, Kim MACHAN, Leon MARVELL, Anna MUNSTER,
Daniel PALMER, Melinda RACKHAM, Darren TOFTS

International advisory board ::
Andreas BROECKMANN, Berlin; Paul BROWN, London/Cotton Tree; Annick
BUREAUD, Paris; Sara DIAMOND, Toronto; Diana DOMINGUES, Caxias do Sul;
Timothy DRUCKREY, New York; Oliver GRAU, Krems; Gunalan NADARAJAN,
Baltimore; Linda D. HENDERSON, Austin; Erkki HUHTAMO, Los Angeles;
Douglas KAHN, Davis; Ángel KALENBERG, Montevideo; Ryszard KLUSZCZYNSKI,
Lodz; Machiko KUSAHARA,Tokyo; Roger MALINA, Paris; W.J.T. MITCHELL,
Chicago; Christiane PAUL, New York; Miklos PETERNAK, Budapest, Edward
SHANKEN, Amsterdam; Barbara STAFFORD, Chicago; Jeffrey SHAW, Sydney;
Peter WEIBEL, Karlsruhe; Steven WILSON, San Francisco

Further information can be found at 
www.mediaarthistory.org 

Leonardo Education Forum (LEF), Melbourne, 26th of November 2009 
http://www.leonardo.info/isast/lef.html 
(with: Paul THOMAS, Oliver GRAU, Ian CLOTHIER a.o.) 
 
 
:: forwarded by the Department for Image Science :: partner of Re:live

and home of the Master of Arts programm in MediaArtHistories 
www.donau-uni.ac.at/mediaarthistories 

:: join the MediaArtHistories platform on Facebook
http://www.facebook.com/groups/mediaarthistories#/group.php?gid=36056054067

FINAL REMINDER

There are just a few weeks to go until the 2009 CHArt conference, so this is a last reminder to those who've not yet had a chance to book a place! 

CHArt TWENTY-FIFTH ANNUAL CONFERENCE

OBJECT AND IDENTITY IN A DIGITAL AGE

Thursday 12 - Friday 13 November 2009

Birkbeck, University of London, Clore Lecture Theatre, Clore Management Centre, Torrington Square, London, WC1 7HX.

THEME

This year's CHArt conference engages with the idea of object and identity in relation to art practice, production, consumption, representation and display. The conference will explore new notions of the identity of the artist, including those involving collaboration and anonymity; new conceptions and ontologies of the art object, as processual, virtual, or hybrid; new means of consumption and reception, whether in galleries and museums, in public spaces, or over networks of broadcast and narrowcast; and the challenges these transformations bring to the display of art and to its curation and access.

Places are limited so early booking is recommended.

The booking form is available online on www.chart.ac.uk.  Conference fees (pounds sterling) - include coffee/tea breaks and lunch.


PROGRAMME

THURSDAY 12 NOVEMBER

KEYNOTE - Frieder Nake, University of Bremen, Germany.
Only Artist. Only Engineer. Only Critic. Transcending Disciplines in Early Digital Art.


SESSION 1

Patterns of Movement in Live Languages.
Alex McLean, Geraint Wiggins, Goldsmiths, University of London.

The Software in Art.
Ernest Edmonds, University of Technology Sydney.

Interfaces of Performance.
Maria Chatzichristodoulou (Maria X), University of Hull; Janis Jefferies, Goldsmiths, University of London; Rachel Zerihan, Queen Mary University of London.

The Screaming Head: Making the Most of the Random Attributes of Sensors in the Construction of a Virtual Performer.
Mary Oliver, University of Salford.


SESSION 2

Making Connections: Children, Objects, Meanings and Museums.
Helena Tomlin and Irit Narkiss, The Manchester Museum.

Art and Orphan Works:  Ownership and Discovery.
Annette Ward, University of Dundee; Annsley Merelle Ward, Gallant Macmillan LLP; James Stevenson, Victoria and Albert Museum; Stephen McKenna, Ian Ricketts, University of Dundee.


Emergent questions: Digitisation, Cultural Heritage and the Social Agency of Images.
Devorah Romanek, The British Museum.

Cut and Paste Art History: Image Manipulation as Spurious Art Historical Proof of the Face of Shakespeare.
Marcus Risdell, Garrick Club.


SESSION 3

Re-Materialisation of the Art Object.
Dew Harrison, University of Wolverhampton.

Puppeteers, Performers or Avatars: A Perceptual Difference in Telematic Space.
Paul Sermon, University of Salford.

The Work of Art in the Age of Virtual Production.
Andrew Sempere, IBM Watson Research.

The Creative Use of Online Social Networking Sites to Increase Public Engagement and Participation in the Professional Arts Through Collaborative Involvement in Creative Practice.
Sophy Smith, De Montfort University, Leicester.


(The CHArt Annual General Meeting will take place at the end of day 1)


FRIDAY 13 NOVEMBER


SESSION 4

The Role of Art in Computer Game Design.
Colin B. Price, June S. Moore, University of Worcester.

The Artist as Designer, the Artist as User: Developing a Collaborative Framework for Artistic Engagement in ICT Design.
Frederik Lesage, London School of Economics and Political Science.

Big Bird is Watching You! Art, Activism and Technology in the Public Arena.
Denitsa Petrova, Edinburgh College of Art.

Are You Clean? Parasitic Art and Privacy.
Jeremy Pilcher, Lancaster University.


SESSION 5
The Case of Liberation Aesthetics Versus Digital Identit(ies).
Timothy Allen Jackson, Savannah College of Art and Design, USA.

Performing Information.
Christoph Kl�tsch, Savannah College of Art and Design, USA.

Exhibition Design as High-Level Programming
Gabriel Menotti Gonring, Goldsmiths, University of London.



SESSION 6

Art and Software Entropy.
Wayne Clements, Chelsea College of Art and Design.

Databasing the Arts:The Enactment of Art Objects in Networked Infrastructures.
Sarah de Rijcke, Royal Netherlands Academy of Arts and Sciences.

ArtLog: An Electronic Archive of Artistic Process
Yvonne Desmond, Dublin Institute of Technology, Ireland.

Try to Get that Kindle Signed: The Comic Book as Cultural Interface
Ernesto Priego, University College London.



BOOKING FEE

CHArt Member: TWO DAYS �120 
CHArt Member: ONE DAY �80 
Non-member: TWO DAYS �160 
Non-member: ONE DAY �110 
CHArt Student Member: TWO DAYS �65
CHArt Student Member: ONE DAY �45 
Student Non-member: TWO DAYS �85 
Student Non-member: ONE DAY �55 




..........................................
Hazel Gardiner
Centre for Computing in the Humanities
King's College London
26-29 Drury Lane
London
WC2 5RL

hazel.gardiner@kcl.ac.uk

+44 020 7848 2013