DASH Archives - August 2006

Announcing Two New MAs: Art Museum & Gallery Education / Heritage Management

From: =?iso-8859-1?Q?Bernadette_Buckley?= <bernadette.buckley@NCL.AC.UK>

Date: Sat, 12 Aug 2006 19:18:37 +0100

Subject: Announcing Two New MAs: Art Museum & Gallery Education / Heritage 
Management


Dear Colleagues, 

The International Centre for Cultural & Heritage Studies at Newcastle 
University welcomes applications for its two exciting new MA Programmes: 
Art Museum & Gallery Education / Heritage Management, both commencing in 
September 2006.  

On-line Application Forms can be found at 
http://www.ncl.ac.uk/postgraduate/apply/applicationforms.phtml. 

 


MA in Art Museum & Gallery Education 


This innovative new programme has been created specifically to meet the 
growing national and international need for qualified visual arts 
educators. It offers an exciting opportunity for those wishing to pursue 
graduate-level professional training as gallery, art museum and freelance 
art educators. It combines cutting edge research with the chance to learn 
directly from the practical experience of professionals from Tate Modern, 
BALTIC and others operating in the field.

For further information about Art Museum & Gallery Education, please see 
http://www.ncl.ac.uk/postgraduate/taught/subjects/culturalheritage/courses/
462 
 .  Prospective students can also contact Dr Bernadette Buckley on 
bernadette.buckley@ncl.ac.uk   or 
tel. + 44 (0) 191 222 3940.


MA in Heritage Management

This programme is designed to provide students with a good understanding 
and working knowledge of the management of heritage resources and sites 
which will enable them to gain employment in the sector or to conduct 
further research. Modules are delivered intensively in weekly teaching 
blocks making access to the programme easier for part time students and 
heritage professionals.

For further information about Heritage Management, please  see 
http://www.ncl.ac.uk/postgraduate/taught/subjects/culturalheritage/courses/
462 
 .  Prospective students can also contact Dr Aron Mazel on 
a.d.mazel@ncl.ac.uk or tel. + 44 (0) 191 222 7845.

Best Regards

Bernadette.Buckley & Aron Mazel

 
Dr. Bernadette Buckley

Lecturer in Art Gallery and Museum Studies

ICCHS

Bruce Building 

International Centre for Cultural & Heritage Studies 

University of Newcastle

NE1 7RU

Tel: +44 191 222 3940

Bernadette.Buckley@ncl.ac.uk

CHArt 2006 Conference Announcement - Booking now open!

From: Hazel Gardiner <hazel.gardiner@KCL.AC.UK>

Date: Mon, 14 Aug 2006 09:11:47 +0100

CHArt TWENTY-SECOND ANNUAL CONFERENCE – Booking now open!

 

KINGS COLLEGE LONDON

 

FAST FORWARD: Art History, Curation and Practice After Media

 

Thursday 9 - Friday 10 November 2006

 

- PROGRAMME -

 

Since its foundation in 1985 CHArt has closely followed the extraordinary developments in arts computing that have taken place over nearly two decades. The twenty-second CHArt conference will reflect upon the unprecedented ways that media. particularly  'new media', are transforming our understanding of the world and of ourselves. The CHArt 2006 program addresses the possibilities and challenges of these changes, as they affect visual culture.

 

KEYNOTE ADDRESS – Bruce Wands, Director, New York Digital Salon, New York, USA.

 

THURSDAY 9 NOVEMBER

 

SESSION 1 –

Steps of New Media Art at the Venice Biennale, 1960s to 1990s.

Francesca Franco, Birkbeck College, University of London, UK.

 

Electronic Civil Disobedience: The SWARM case.

Fidele Vlavo, London South Bank University, London, UK.

 

SESSION 2 –

User Requirements for a 'Virtual Arts Centre of the Future'.

Katrien Berte and Peter Mechant, Department of Communication Sciences, Ghent University, Belgium.

 

The Digital Space of the Teatro Olimpico: A New Environment for Interactive Arts.

Daniela Sirbu, University of Lethbridge, Canada.

 

SESSION 3 –

New Futures in Net Art: Discovering Emergent Art Historical Technique in Net Art Contextualisation.

Charlotte Frost, Birkbeck College, University of London, UK.

 

'High Archive Fever': The Internet and Art Historical Research in China.

Adele Tan, Courtauld Institute of Art, University of London, UK.

 

Aesthetics and Interactive Art

Karen Cham, The Open University, UK.

 

SESSION 4 –

Panel Session

Approaches to the Practice of Curating New Media Art.

Sarah Cook, Beryl Graham and Ele Carpenter, CRUMB, University of Sunderland.

 

FRIDAY 11 NOVEMBER

 

SESSION 5 –

Preservation of Net Art in Museums.

Anne Laforet, University of Avignon, France.

 

Preserving and Recovering Computer Art: Reconstructing Data or the Artwork.

Nick Lambert, Birkbeck College, University of London, UK.

 

Conservation and Preservation in the Post-Media Phase: A Suggested Strategy Theory.

Timothy Mohn, Pratt Institute Digital Arts Laboratory, New York, USA.

 

SESSION 6 –

When Presence and Absence Turn into Pattern and Randomness: Can You See Me Now?

Maria Chatzichristodoulou (maria x), Goldsmiths College, University of London, UK.

 

Embodying Judgment: New Media and Art Criticism.

Daniel Palmer, Monash University, Melbourne, Australia.

 

 

SESSION 7 – CHARADE:

The Peer-To-Peer Distribution of Media Assets Into the Public at Large.

Simon Pope, Goldsmiths College, University of London, UK.

 

A Blueprint of Bacterial Life - Can a Science-Art Fusion Move the Boundaries of Visual and Audio Interpretation?

Elaine Shemilt, University of Dundee, Scotland.

 

'You Are Here': Locative Media and the Body As Networked Site.

Alicia Cornwell, Tufts University, Massachusetts, USA.

 

SESSION 8 –

No Thanks to the Dictionary: Visualising Language in the Post-Medium Age.

Philip Klobucar, Vancouver, Canada.

 

Putting Two and Two Together to Make Yellow - Synaesthesia, Media, Art and Life.

Rob Flint, Nottingham Trent University, UK.

 

DEMONSTRATIONS

EdiNA (Edinburgh University Data Library), Paula Cuccurullo.

 

The booking form is available online on www.chart.ac.uk.  Bookings made before 13 October 2006 will be entitled to a discount.  Conference Fees (pounds sterling) - include coffee/tea breaks and lunch.  Send bookings to: Hazel Gardiner, CHArt, CCH, Kings College London, Kay House, 7 Arundel Street, WC2R 3DX,  tel: +44 (0)20 7848 2013, fax: +44 (0)20 7848 2980, hazel.gardiner@kcl.ac.uk (please use the subject heading CHArt Conference 2006 in any email queries).

 

BOOKING                                                        

CHArt Member:

(TWO DAYS) £100   (£80 before 14 Oct 2006)

(ONE DAY) £60 (£50 before 14 Oct 2006)

 

Non-member:

(TWO DAYS) £130 (£110 before 14 Oct 2006)

(ONE DAY) £80 (£70 before 14 Oct 2006)

 

CHArt Student Member:

(TWO DAYS) £60   (£40 before 14Oct 2006)

(ONE DAY)£40 (£30 before 14 Oct 2006)

 

Student Non-member:

(TWO DAYS) £80  (£60 before 14 Oct 2006)

(ONE DAY)£50 (£40 before 14 Oct 2006)

 

 

 

 

........................................................

 

Hazel Gardiner

Senior Project Officer

AHRC ICT Methods Network

Centre for Computing in the Humanities

Kings College

Kay House, 7 Arundel Street

WC2R 3DX

 

+44 (0)20 7848 2013

hazel.gardiner@kcl.ac.uk

www.methodsnetwork.ac.uk

 

CHArt TWENTY-SECOND ANNUAL CONFERENCE – Booking now open!

 

KINGS COLLEGE LONDON

 

FAST FORWARD: Art History, Curation and Practice After Media

 

Thursday 9 - Friday 10 November 2006

 

- PROGRAMME -

 

Since its foundation in 1985 CHArt has closely followed the extraordinary
developments in arts computing that have taken place over nearly two
decades. The twenty-second CHArt conference will reflect upon the
unprecedented ways that media. particularly  'new media', are transforming
our understanding of the world and of ourselves. The CHArt 2006 program
addresses the possibilities and challenges of these changes, as they affect
visual culture.

 

KEYNOTE ADDRESS – Bruce Wands, Director, New York Digital Salon, New York,
USA.

 

THURSDAY 9 NOVEMBER 

 

SESSION 1 – 

Steps of New Media Art at the Venice Biennale, 1960s to 1990s.

Francesca Franco, Birkbeck College, University of London, UK.

 

Electronic Civil Disobedience: The SWARM case.

Fidele Vlavo, London South Bank University, London, UK.

 

SESSION 2 –

User Requirements for a 'Virtual Arts Centre of the Future'.

Katrien Berte and Peter Mechant, Department of Communication Sciences, Ghent
University, Belgium.

 

The Digital Space of the Teatro Olimpico: A New Environment for Interactive
Arts.

Daniela Sirbu, University of Lethbridge, Canada.

 

SESSION 3 – 

New Futures in Net Art: Discovering Emergent Art Historical Technique in Net
Art Contextualisation.

Charlotte Frost, Birkbeck College, University of London, UK.

 

'High Archive Fever': The Internet and Art Historical Research in China.

Adele Tan, Courtauld Institute of Art, University of London, UK.

 

Aesthetics and Interactive Art

Karen Cham, The Open University, UK.

 

SESSION 4 – 

Panel Session

Approaches to the Practice of Curating New Media Art.

Sarah Cook, Beryl Graham and Ele Carpenter, CRUMB, University of Sunderland.

 

FRIDAY 11 NOVEMBER 

 

SESSION 5 – 

Preservation of Net Art in Museums.

Anne Laforet, University of Avignon, France.

 

Preserving and Recovering Computer Art: Reconstructing Data or the Artwork.

Nick Lambert, Birkbeck College, University of London, UK.

 

Conservation and Preservation in the Post-Media Phase: A Suggested Strategy
Theory.

Timothy Mohn, Pratt Institute Digital Arts Laboratory, New York, USA.

 

SESSION 6 – 

When Presence and Absence Turn into Pattern and Randomness: Can You See Me
Now?

Maria Chatzichristodoulou (maria x), Goldsmiths College, University of
London, UK.

 

Embodying Judgment: New Media and Art Criticism.

Daniel Palmer, Monash University, Melbourne, Australia.

 

 

SESSION 7 – CHARADE: 

The Peer-To-Peer Distribution of Media Assets Into the Public at Large.

Simon Pope, Goldsmiths College, University of London, UK.

 

A Blueprint of Bacterial Life - Can a Science-Art Fusion Move the Boundaries
of Visual and Audio Interpretation?

Elaine Shemilt, University of Dundee, Scotland.

 

'You Are Here': Locative Media and the Body As Networked Site.

Alicia Cornwell, Tufts University, Massachusetts, USA.

 

SESSION 8 – 

No Thanks to the Dictionary: Visualising Language in the Post-Medium Age.

Philip Klobucar, Vancouver, Canada.

 

Putting Two and Two Together to Make Yellow - Synaesthesia, Media, Art and
Life.

Rob Flint, Nottingham Trent University, UK.

 

DEMONSTRATIONS 

EdiNA (Edinburgh University Data Library), Paula Cuccurullo.

 

The booking form is available online on www.chart.ac.uk.  Bookings made
before 13 October 2006 will be entitled to a discount.  Conference Fees
(pounds sterling) - include coffee/tea breaks and lunch.  Send bookings to:
Hazel Gardiner, CHArt, CCH, Kings College London, Kay House, 7 Arundel
Street, WC2R 3DX,  tel: +44 (0)20 7848 2013, fax: +44 (0)20 7848 2980,
hazel.gardiner@kcl.ac.uk (please use the subject heading CHArt Conference
2006 in any email queries).

 

BOOKING                                                        

CHArt Member: 

(TWO DAYS) £100   (£80 before 14 Oct 2006) 

(ONE DAY) £60 (£50 before 14 Oct 2006) 

 

Non-member: 

(TWO DAYS) £130 (£110 before 14 Oct 2006) 

(ONE DAY) £80 (£70 before 14 Oct 2006) 

 

CHArt Student Member: 

(TWO DAYS) £60   (£40 before 14Oct 2006) 

(ONE DAY)£40 (£30 before 14 Oct 2006) 

 

Student Non-member: 

(TWO DAYS) £80  (£60 before 14 Oct 2006) 

(ONE DAY)£50 (£40 before 14 Oct 2006) 

 

 

 

 

........................................................

 

Hazel Gardiner

Senior Project Officer

AHRC ICT Methods Network

Centre for Computing in the Humanities

Kings College

Kay House, 7 Arundel Street

WC2R 3DX

 

+44 (0)20 7848 2013

hazel.gardiner@kcl.ac.uk

www.methodsnetwork.ac.uk

 



DANUBE TELE LECTURES on Art, Media and Image Science

From: Oliver Grau <oliver.grau@DONAU-UNI.AC.AT>

Date: Fri, 18 Aug 2006 13:14:39 +0200

:: Inauguration of the DANUBE TELE LECTURES at Danube University Krems ::

The Center for Image Science at Danube University Krems starts a new international lecture series in early September with prominent scientists of our time. The lectures will be presented by live online streaming technology. The series is realized in co-operation with the Österreichische Filmgalerie and the ORF Niederösterreich (Austrian Broadcast Corporation), and will be held in the Filmgalerie Cinema at Danube University Krems. For the inaugural Tele Lecture, internationally renowned scholars deal with key topics of Image Science and Media Art:

www.donau-uni.ac.at/cis 


:: Lecture / Debate Topics ::

September 5, 2006  19:30-22:00 
"DOES THE WEST STILL EXIST? Are There Boundaries of West, East and Far-East in the World of Images Now?"
Lectures and debate with Sarat MAHARAJ and Machiko KUSAHARA 

Hollywood, computer games, net and media art, micromovies, new devices* images are undergoing a new internationalization never known before, and are increasingly being charged as a vehicle of ideologies and worldview. Seemingly bygone clashes between image opponents and image believers are reanimated in contemporary media to include all areas of art, science, politics and economy - now on a global scale. Can we still speak of images of the west today? Do we witness the arousal of a global visual language enriched universally by the various cultures, or are we at the brink of an ‘image war’, representing extremes between the old and new economic powers and their visual culture?  


September 6, 2006 19:30-22:00  
“PYGMALION TENDENCIES: Bioart and Its Precursors”
Lectures and debate with Gunalan NADARAJAN and Jens HAUSER  

Art and the natural sciences are forming a new interconnection that is closer than in past centuries. Recent developments in art such as Bioart, Techno-art, Genetic or Transgenic Art bring artists into the scientific laboratories and carry their visions to the general public. Not only do artists work cross-pollinated, they also create new creatures, frequently revealing spectacular spaces of reflection on new possibilities. International experts discuss these tensions oscillating between body and nature on one hand and artificial life and illusion on the other - none the least, in their historical contexts.



:: International Discussion over the Net - Innovative Image Direction ::

The DANUBE TELE LECTURES is a continuation and extension of the first international conference on MediaArtHistories Refresh!, which was held under the direction of Oliver Grau in Banff/Canada last fall und will see a remake called re:place in Berlin next year. Two cameras innovatively echo the studio character and seek a virtual intimacy with the lecturers and their audience. Internet viewers from all over the world have the possibility to pose email questions, broadening the international debate character of this event. 
Videos of the Danube Tele Lectures will be available in an online archive. 

:: More at http://www.donau-uni.ac.at/cis ::

You can join us live in Krems or watch online and participate in the discussion via email. 


The CENTER FOR IMAGE SCIENCE at Danube University Krems is an institution for inovative research and teaching on the complete range of image forms. The Center is situated in the beautiful Wachau, Austria - a UNESCO world heritage site - in the Goettweig Monastery and is housed in a fourteenth century castle. It is the base of the public documentation platforms www.virtualart.at and www.mediaarthistory.org. The Center's new low residency postgraduate master's programs in MEDIAARTHISTORIES, PHOTOGRAPHY, and IMAGE MANAGEMENT are internationally unique.


:: contact for information on :: 

wendy.coones@donau-uni.ac.at 
+43 (0)2732 893-2543 

directions to Krems - 60km west of Vienna towards Linz - www.donau-uni.ac.at/route 
shuttle Krems-Vienna offered,
reserve your seat at the Filmgalerie Cinema (entrance is free),
future Danube Tele-Lecture series 

=> FIRST INTERNATIONAL MASTER MEDIA.ART.HISTORIES

From: Oliver Grau <oliver.grau@DONAU-UNI.AC.AT>

Date: Tue, 29 Aug 2006 12:01:01 +0200

Course is filling up, but still open for applications:


=> FIRST INTERNATIONAL MASTER  MEDIA.ART.HISTORIES. 
(Low residency; English language)


The postgraduate program MediaArtHistories conveys the most important 
developments of contemporary art through a network of renowned
international 
theorists, artists and curators like:
 

Steve DIETZ, Erkki HUHTAMO, Lev MANOVICH, Christiane PAUL, Paul SERMON,

Edward SHANKEN; Jens HAUSER, Oliver GRAU and many others..
 

Artists and programers give new insights into the latest and most
controversal software, 
interface developments and their interdisciplinary and intercultural
praxis. Keywords are: 
Strategies of Interaction & Interface Design, Social Software,
Immersion & Emotion, 
Artistic Invention.

Using online databases and other modern aids, knowledge of computer
animation, 
net art, interactive, telematic and genetic art as well as the most
recent reflections 
on nano art, CAVE installations, augmented reality and wearables are
introduced. 

Historical derivations that go far back into art and media history are
tied in intriguing 
ways to digital art.  Important approaches and methods from Image
Science, 
Media Archaeology and the History of Science & Technology will be
discussed. 

MediaArtHistories MA is also based on the international praxis and
expertise in Curation, 
Collecting, Preserving and Archiving and Researching in the Media Arts.
What are, 
for example, the conditions necessary for a wider consideration of
media art works 
and of new media in these collectionsof the international contemporary
art scene? 
And in which way can new Databases and other scientific tools of
structuring and 
visualizing data provide new contexts and enhance our understanding of
semantics?

www.donau-uni.ac.at/cis 
www.donau-uni.ac.at/mediaarthistories 
www.virtualart.at 

Application Deadline: Sept. 15th 2006


DANUBE UNIVERSITY  --  located in the UNESCO world heritage WACHAU 
is the first public university in Europe which specializes in advanced
continuing 
education offering low-residency degree programs for working
professionals 
and lifelong learners. 

The CENTER FOR IMAGE SCIENCE, where most MediaArtHistories courses take

place, is housed in a 14th century Monastary, remodeled to fit the
needs of modern
research in singular surroundings.

With its new modular courses starting in November 2006 the Center for
Image 
Science (CIS) at Danube University offers an educational program unique
in Europe.

Without interrupting the career students have the opportunity to learn
through 
direct, hands-on experience, social learning in small groups and
contacts with 
labs and industry. They gain key qualifications for the contemporary
art and 
media marketplace.

International experts analyze the image worlds of art, science,
politics and economy 
and elucidate how they originated, became established and how they have
stood the 
test of time. The innovative approach at CIS is reinforced by
praxis-oriented study.

contact: 
Mag. Petra Gratzl
Tel: +43(0)2732 893-2542
petra.gratzl@donau-uni.ac.at 

CHArt 2006 Conference - Venue Confirmation

From: Hazel Gardiner <hazel.gardiner@KCL.AC.UK>

Date: Wed, 30 Aug 2006 08:58:24 +0100

VENUE CONFIRMATION

 

WE ARE NOW ABLE TO CONFIRM THAT THE CHArt TWENTY-SECOND ANNUAL CONFERENCE WILL TAKE PLACE AT BIRKBECK COLLEGE, LONDON.

 

FAST FORWARD: Art History, Curation and Practice After Media

 

Thursday 9 - Friday 10 November 2006

 

- PROGRAMME -

 

Since its foundation in 1985 CHArt has closely followed the extraordinary developments in arts computing that have taken place over nearly two decades. The twenty-second CHArt conference will reflect upon the unprecedented ways that media. particularly 'new media', are transforming our understanding of the world and of ourselves. The CHArt 2006 program addresses the possibilities and challenges of these changes, as they affect visual culture.

 

KEYNOTE ADDRESS – Bruce Wands, Director, New York Digital Salon, New York, USA.

 

THURSDAY 9 NOVEMBER

 

SESSION 1 –

Steps of New Media Art at the Venice Biennale, 1960s to 1990s.

Francesca Franco, Birkbeck College, University of London, UK.

 

Electronic Civil Disobedience: The SWARM case.

Fidele Vlavo, London South Bank University, London, UK.

 

SESSION 2 –

User Requirements for a 'Virtual Arts Centre of the Future'.

Katrien Berte and Peter Mechant, Department of Communication Sciences, Ghent University, Belgium.

 

The Digital Space of the Teatro Olimpico: A New Environment for Interactive Arts.

Daniela Sirbu, University of Lethbridge, Canada.

 

SESSION 3 –

New Futures in Net Art: Discovering Emergent Art Historical Technique in Net Art Contextualisation.

Charlotte Frost, Birkbeck College, University of London, UK.

 

'High Archive Fever': The Internet and Art Historical Research in China.

Adele Tan, Courtauld Institute of Art, University of London, UK.

 

Aesthetics and Interactive Art

Karen Cham, The Open University, UK.

 

SESSION 4 –

Panel Session

Approaches to the Practice of Curating New Media Art.

Sarah Cook, Beryl Graham and Ele Carpenter, CRUMB, University of Sunderland.

 

FRIDAY 11 NOVEMBER

 

SESSION 5 –

Preservation of Net Art in Museums.

Anne Laforet, University of Avignon, France.

 

Preserving and Recovering Computer Art: Reconstructing Data or the Artwork.

Nick Lambert, Birkbeck College, University of London, UK.

 

Conservation and Preservation in the Post-Media Phase: A Suggested Strategy Theory.

Timothy Mohn, Pratt Institute Digital Arts Laboratory, New York, USA.

 

SESSION 6 –

When Presence and Absence Turn into Pattern and Randomness: Can You See Me Now?

Maria Chatzichristodoulou (maria x), Goldsmiths College, University of London, UK.

 

Embodying Judgment: New Media and Art Criticism.

Daniel Palmer, Monash University, Melbourne, Australia.

 

 

SESSION 7 – CHARADE:

The Peer-To-Peer Distribution of Media Assets Into the Public at Large.

Simon Pope, Goldsmiths College, University of London, UK.

 

A Blueprint of Bacterial Life - Can a Science-Art Fusion Move the Boundaries of Visual and Audio Interpretation?

Elaine Shemilt, University of Dundee, Scotland.

 

'You Are Here': Locative Media and the Body As Networked Site.

Alicia Cornwell, Tufts University, Massachusetts, USA.

 

SESSION 8 –

No Thanks to the Dictionary: Visualising Language in the Post-Medium Age.

Philip Klobucar, Vancouver, Canada.

 

Putting Two and Two Together to Make Yellow - Synaesthesia, Media, Art and Life.

Rob Flint, Nottingham Trent University, UK.

 

DEMONSTRATIONS

EdiNA (Edinburgh University Data Library), Paula Cuccurullo.

 

The booking form is available online on www.chart.ac.uk.  Bookings made before 13 October 2006 will be entitled to a discount.  Conference Fees (pounds sterling) - include coffee/tea breaks and lunch.  Send bookings to: Hazel Gardiner, CHArt, CCH, Kings College London, Kay House, 7 Arundel Street, WC2R 3DX,  tel: +44 (0)20 7848 2013, fax: +44 (0)20 7848 2980, hazel.gardiner@kcl.ac.uk (please use the subject heading CHArt Conference 2006 in any email queries).

 

BOOKING                                                        

CHArt Member:

(TWO DAYS) £100   (£80 before 13 Oct 2006)

(ONE DAY) £60 (£50 before 13 Oct 2006)

 

Non-member:

(TWO DAYS) £130 (£110 before 13 Oct 2006)

(ONE DAY) £80 (£70 before 13 Oct 2006)

 

CHArt Student Member:

(TWO DAYS) £60   (£40 before 13 Oct 2006)

(ONE DAY)£40 (£30 before 13 Oct 2006)

 

Student Non-member:

(TWO DAYS) £80  (£60 before 13 Oct 2006)

(ONE DAY)£50 (£40 before 13 Oct 2006)

 

 

VENUE CONFIRMATION

 

 

VENUE CONFIRMATION 

 

WE ARE NOW ABLE TO CONFIRM THAT THE CHArt TWENTY-SECOND ANNUAL CONFERENCE
WILL TAKE PLACE AT BIRKBECK COLLEGE, LONDON.

 

FAST FORWARD: Art History, Curation and Practice After Media

 

Thursday 9 - Friday 10 November 2006

 

- PROGRAMME -

 

Since its foundation in 1985 CHArt has closely followed the extraordinary
developments in arts computing that have taken place over nearly two
decades. The twenty-second CHArt conference will reflect upon the
unprecedented ways that media. particularly 'new media', are transforming
our understanding of the world and of ourselves. The CHArt 2006 program
addresses the possibilities and challenges of these changes, as they affect
visual culture.

 

KEYNOTE ADDRESS – Bruce Wands, Director, New York Digital Salon, New York,
USA.

 

THURSDAY 9 NOVEMBER 

 

SESSION 1 – 

Steps of New Media Art at the Venice Biennale, 1960s to 1990s.

Francesca Franco, Birkbeck College, University of London, UK.

 

Electronic Civil Disobedience: The SWARM case.

Fidele Vlavo, London South Bank University, London, UK.

 

SESSION 2 –

User Requirements for a 'Virtual Arts Centre of the Future'.

Katrien Berte and Peter Mechant, Department of Communication Sciences, Ghent
University, Belgium.

 

The Digital Space of the Teatro Olimpico: A New Environment for Interactive
Arts.

Daniela Sirbu, University of Lethbridge, Canada.

 

SESSION 3 – 

New Futures in Net Art: Discovering Emergent Art Historical Technique in Net
Art Contextualisation.

Charlotte Frost, Birkbeck College, University of London, UK.

 

'High Archive Fever': The Internet and Art Historical Research in China.

Adele Tan, Courtauld Institute of Art, University of London, UK.

 

Aesthetics and Interactive Art

Karen Cham, The Open University, UK.

 

SESSION 4 – 

Panel Session

Approaches to the Practice of Curating New Media Art.

Sarah Cook, Beryl Graham and Ele Carpenter, CRUMB, University of Sunderland.

 

FRIDAY 11 NOVEMBER 

 

SESSION 5 – 

Preservation of Net Art in Museums.

Anne Laforet, University of Avignon, France.

 

Preserving and Recovering Computer Art: Reconstructing Data or the Artwork.

Nick Lambert, Birkbeck College, University of London, UK.

 

Conservation and Preservation in the Post-Media Phase: A Suggested Strategy
Theory.

Timothy Mohn, Pratt Institute Digital Arts Laboratory, New York, USA.

 

SESSION 6 – 

When Presence and Absence Turn into Pattern and Randomness: Can You See Me
Now?

Maria Chatzichristodoulou (maria x), Goldsmiths College, University of
London, UK.

 

Embodying Judgment: New Media and Art Criticism.

Daniel Palmer, Monash University, Melbourne, Australia.

 

 

SESSION 7 – CHARADE: 

The Peer-To-Peer Distribution of Media Assets Into the Public at Large.

Simon Pope, Goldsmiths College, University of London, UK.

 

A Blueprint of Bacterial Life - Can a Science-Art Fusion Move the Boundaries
of Visual and Audio Interpretation?

Elaine Shemilt, University of Dundee, Scotland.

 

'You Are Here': Locative Media and the Body As Networked Site.

Alicia Cornwell, Tufts University, Massachusetts, USA.

 

SESSION 8 – 

No Thanks to the Dictionary: Visualising Language in the Post-Medium Age.

Philip Klobucar, Vancouver, Canada.

 

Putting Two and Two Together to Make Yellow - Synaesthesia, Media, Art and
Life.

Rob Flint, Nottingham Trent University, UK.

 

DEMONSTRATIONS 

EdiNA (Edinburgh University Data Library), Paula Cuccurullo.

 

The booking form is available online on www.chart.ac.uk.  Bookings made
before 13 October 2006 will be entitled to a discount.  Conference Fees
(pounds sterling) - include coffee/tea breaks and lunch.  Send bookings to:
Hazel Gardiner, CHArt, CCH, Kings College London, Kay House, 7 Arundel
Street, WC2R 3DX,  tel: +44 (0)20 7848 2013, fax: +44 (0)20 7848 2980,
hazel.gardiner@kcl.ac.uk (please use the subject heading CHArt Conference
2006 in any email queries).

 

BOOKING                                                        

CHArt Member: 

(TWO DAYS) £100   (£80 before 13 Oct 2006) 

(ONE DAY) £60 (£50 before 13 Oct 2006) 

 

Non-member: 

(TWO DAYS) £130 (£110 before 13 Oct 2006) 

(ONE DAY) £80 (£70 before 13 Oct 2006) 

 

CHArt Student Member: 

(TWO DAYS) £60   (£40 before 13 Oct 2006) 

(ONE DAY)£40 (£30 before 13 Oct 2006) 

 

Student Non-member: 

(TWO DAYS) £80  (£60 before 13 Oct 2006) 

(ONE DAY)£50 (£40 before 13 Oct 2006) 

 

 

VENUE CONFIRMATION